This album is a collection of all the live performances (4 CD Box Set) of Shelly Manne and his very talented band, consisting of Bass on Monty Budwig, Piano on Victor Feldman, Tenor Saxophone on Richie Kamuca, Trumpet on Joe Gordon, here’s the discography for this Box-Set. All the information needed for the Jazz Con Class Radio to learn more about “Shelly Manne and His Men Complete Live at the Black Hawk” and about Shelly Manne himself, is found further down on this post. Enjoy!
About the album, article from Marc Myers (JazzWax):
When Shelly Manne agreed to play San Francisco’s Black Hawk club in September 1959, he viewed the gig as a working vacation. For months, the West Coast drummer had endured a grueling schedule, spending days in Hollywood’s movie and TV studios and nights at Los Angeles-area clubs. Taking on the extended San Francisco engagement with his newly formed quintet meant a return to bop without the commercial distractions. No insistent studio contractors. No time-crazed producers. And no stress of first-take film dates.
But just a week after the Black Hawk engagement began, Manne picked up the phone and called Lester Koenig, the founder of Contemporary Records. Manne and Koenig had been close since Manne began recording extensively for the label in 1952. “I’ve never asked this before,” Manne reportedly said to Koenig during the call, “but we all feel you should come up and record the group at the club.” The next day, September 22d, Koenig arrived with recording equipment and remained at the club for three successive nights…..Read More
About Shelly Manne (Wikipedia):
Shelly Manne (June 11, 1920 – September 26, 1984), born Sheldon Manne in New York City, was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz and fusion, as well as contributing to the musical background of hundreds of Hollywood films and television programs.
Family and origins:
Manne’s father and uncles were drummers. In his youth he admired many of the leading swing drummers of the day, especially Jo Jones and Dave Tough.[1] Billy Gladstone, a colleague of Manne’s father and the most admired percussionist on the New York theatrical scene, offered the teenage Shelly tips and encouragement.[2] From that time, Manne rapidly developed his style in the clubs of 52nd Street in New York in the late 1930s and 1940s.[3] His first professional job with a known big band was with the Bobby Byrne Orchestra in 1940.[4] In those years, as he became known, he recorded with jazz stars like Coleman Hawkins, Charlie Shavers, and Don Byas. He also worked with a number of musicians mainly associated with Duke Ellington, like Johnny Hodges, Harry Carney, Lawrence Brown, and Rex Stewart.[5]……Learn More