Jose Reyes

Jose Reyes

Cecil Payne’s “Patterns of Jazz”

Facebook

PatternsOfJazzCover

Cecil Payne is outstanding here in this straight forward early hard bop recording. He leads throughout and gives Kenny Dorham long breaks as he joins in occasionally with sweet little solos. Tommy Potter plays a loud sounding bass as Art Taylor follows along with short low quick spurts of his own. Duke Jordan is generally on the background end but successfully helps the music flow in a graceful manner. “Patterns of Jazz” is a great album to sit back and relax, not to mention, its a collectible!

About the album:

This 1956 set partners baritone saxophonist Cecil Payne with the superb rhythm section of pianist Duke Jordan, drummer Art Taylor, and bassist Tommy Potter. Their performances of originals, standards, and a pair of Randy Weston compositions are unpretentious bop artistry of a high caliber. Jordan and Potter played together in Charlie Parker’s quintet of the late ’40s and are well-equipped to meet the demands of bebop. The pianist’s economical, swinging style falls somewhere between Count Basie’s and Thelonious Monk’s. Like them, Jordan is supremely skilled at saying a lot with a little. His open approach leaves plenty of space for the unassuming virtuosity of Potter and Taylor….. Read more

CecilPayneImageBio

Cecil Payne Biography (Wikipedia):

Acclaimed by peers and critics among the finest baritone saxophonists of the bebop era, Cecil Payne remains best remembered for his three-year stint with Dizzy Gillespie’s seminal postwar big band. Born in Brooklyn, NY, on December 14, 1922, Payne began playing saxophone at age 13, gravitating to the instrument after hearing Lester Young’s work on Count Basie’s “Honeysuckle Rose.” Young’s supple, lilting tone remained a profound influence throughout Payne’s career. After learning to play under the tutelage of local altoist Pete Brown, Payne gigged in a series of local groups before receiving his draft papers in 1942. He spent the four years playing with a U.S. Army band, and upon returning to civilian life made his recorded debut for Savoy in support of J.J. Johnson. During a brief stint with Roy Eldridge, Payne put down his alto and first adopted the baritone. Later that year he joined the Gillespie orchestra, earning renown for his unusually graceful approach to a historically unwieldy instrument. Payne appears on most of Gillespie’s key recordings from this period, including “Cubano-Be/Cubano-Bop,” and solos on cuts like “Ow!” and “Stay on It,” but despite near-universal respect among the jazz cognoscenti, he remained a little-known and even neglected figure throughout his career.

After exiting the Gillespie ranks in 1949, Payne headlined a session for Decca backed by pianist Duke Jordan and trumpeter Kenny Dorham. Following tenures with Tadd Dameron and Coleman Hawkins, in 1952 Payne launched a two-year stint with Illinois Jacquet, and in 1956, he toured Sweden alongside childhood friend Randy Weston. That same year, Payne also headlined the Savoy LP Patterns of Jazz. In 1957, he and fellow baritonist Pepper Adams backed the legendary John Coltrane on Dakar…….Read More

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

More to Explore

Klook and Francy

Kenny “Klook” Clarke and Francois “Francy” Boland are considered the pioneers of the “modern” Jazz big band. Their sexy cool sound had

Read More »

"Jazz music is something incredible as the sky. It always sounds the same but you hear it differently every time as you tune in. It' s cool to hear classic jazz from old times, tunes from 40-70era always sound way better then any from 90-2000s era. No advertisements on the radio is great too, only nice, flawless jazz."

- Julianas - (Lithuania)

"JAZZ CON CLASS RADIO without question, is the very best net jazz station going. Its just BEAUTIFUL to look at all those LP's, they are works of ART. The SOUND and the ARTIST who are being played, just WONDERFUL Jose, many THOUSAND of THANK YOU'S for your LOVE of the MUSIC and creating this station with GREAT MUSIC in MINE, PEACE"

- Calvin- California (USA)

"I appreciate Jazz Con Class Radio because I love bop, hard bop, and related jazz forms. I especially appreciate Jazz Con Class because of the great range of musicians and cuts that are played. Although I like to hear Miles Davis play So What and John Coltrane play My Favorite Things, familiar cuts like these are heard too often on other jazz stations. Unlike other jazz stations, Jazz Con Class Radio frequently surprises me with great music that is not so familiar to me. I love it. And I also love the absence of commercial interruptions.

Although I am not a musician or an authority on music, I teach a Bop seminar for first-year students at the University of California at Davis. In addition to hearing the music, the students learn about the musicians and urban culture in the 40s, 50s, and 60s. I often play Jazz Con Class Radio at the start and end of class meetings. The music is a wonderful gift. The station is also a wonderful gift."

- Bruce Jaffee-California (USA)
css.php