Jose Reyes

Jose Reyes

Great Combo of Herbie Mann and Charlie Rouse and “Just Wailin” is featured

Share on facebook
Facebook

JustWailinCover

Another great album comprised of superstars but what makes it even more interesting, is the combination of Herbie Mann and Charlie Rouse. They compliment each other very well, taking turns and advancing the song forward in a sweet fashion. This album, “Just Wailin’” was released in 1958 and sounds like something from the mid 60’s. Everyone does get a piece of the action but what glues it all together is when Mann and Rouse join in, outstanding! The listeners here at Jazz Con Class will have a blast with this album feature, check the schedule link for play times.

About the album:

This CD reissue of an earlier Prestige LP emphasizes (but does not stick exclusively to) the blues. The sextet has impressive players in flutist Herbie Mann, Charlie Rouse on tenor, guitarist Kenny Burrell, pianist Mal Waldron, bassist George Joyner and drummer Art Taylor. The material (originals by Waldron, Burrell and Calvin Massey, in addition to a brief “Jumpin’ With Symphony Sid”) is reasonably challenging…The straight-ahead jam session has its strong moments, and as long as one doesn’t let their expectations get out of hand, the music…..Read More

HerbieMannBioImage

More on Herbie Mann (Biography):

Herbie Mann played a wide variety of music throughout his career. He became quite popular in the 1960s, but in the ’70s became so immersed in pop and various types of world music that he seemed lost to jazz. However, Mann never lost his ability to improvise creatively as his later recordings attest. Herbie Mann began on clarinet when he was nine but was soon also playing flute and tenor. After serving in the Army, he was with Mat Mathews’ Quintet (1953-1954) and then started working and recording as a leader. During 1954-1958 Mann stuck mostly to playing bop, sometimes collaborating with such players as Phil Woods, Buddy Collette, Sam Most, Bobby Jaspar, and Charlie Rouse. He doubled on cool-toned tenor and was one of the few jazz musicians in the ’50s who recorded on bass clarinet; he also recorded a full album in 1957 (for Savoy) of unaccompanied flute. After spending time playing and writing music for television, Mann formed his Afro-Jazz Sextet, in 1959, a group using several percussionists, vibes (either Johnny Rae, Hagood Hardy, or Dave Pike) and the leader’s flute. He toured Africa (1960) and Brazil (1961), had a hit with “Comin’ Home Baby,” and recorded with Bill Evans. The most popular jazz flutist during the era, Mann explored bossa nova (even recording in Brazil in 1962), incorporated music from many cultures (plus current pop tunes) into his repertoire, and had among his sidemen such top young musicians as Willie Bobo, Chick Corea (1965), Attila Zoller, and Roy Ayers; at the 1972 Newport Festival his sextet included David Newman and Sonny Sharrock. By then Mann had been a producer at Embroyo (a subsidiary of Atlantic) for three years and was frequently stretching his music outside of jazz. As the ’70s advanced, Mann became much more involved in rock, pop, reggae, and even disco. After leaving Atlantic at the end of the ’70s, Mann had his own label for awhile and gradually came back to jazz……Learn More

ListenLiveForPosts

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

More to Explore

Klook and Francy

Kenny “Klook” Clarke and Francois “Francy” Boland are considered the pioneers of the “modern” Jazz big band. Their sexy cool sound had

Read More »

Happy New Year 2021

I would like to wish ALL you “Jazz Aficionados/Connoisseurs” and Jazz Con Class Radio fans a Happy 2021 New Year from the

Read More »

"As a college English and Fine Arts professor, I have spent many long days and nights grading and writing papers with your station as my soundtrack. I can't thank you enough for the perfect score for such work, which I've been leaning on for the last four years. I've always been obsessed with jazz, but like many fans, I'm selective and looking to avoid the obvious. Jazz Con Class hits all the right notes, and while I love to hear my favorites (Bird, Trane, Monk, Morgan, Hubbard, Blakey), the variety of deep cuts is what brings me back. Thank you for the thoughtful intent and love for this music that shines through in every playlist."

- Ryan-Austin, Texas (USA)

" ジャズ・コン・クラス、それは一日を生き抜く力をくれる。家族や友達に優しく接する優雅さをくれる。心の豊かさをくれる。なぜなら、本物のジャズだからだ。多くのインターネットジャズラジオステーションがある。もし、本物のジャズを聴きたいなら、ここにアクセス。Webサイトやアプリ、Tシャツのデザインも素敵。いつも楽しんで聴いています。特に、まだ0才の娘をベッドで寝かしつけるときやお風呂の時に、二人で聴いています。皆さんも楽しんで下さいね!"

Translated in English:
"Jazz Con Class gives me the energy to live one day. Gives me the elegance to treat my family and friends gently. Gives me the richness in my heart. 'Cause it's true Jazz radio. There are a lot of Jazz radio station in Internet. If you want real jazz, just access here. Also the designs of Jazz Con Class like Website, App and T-shirts are awesome too! I'm always enjoying your Radio! Especially when I spend with my 0 years old baby girl in the bed time and bath time. She loves it! Enjoy!"

- Norio Nakamura (Japan)

"Jazz Con Class is a wonderful discovery. I never have to change it because each tune is selected so carefully. It lifts my spirits and at the same time teaches me about a side of music I otherwise wouldn't have exposure to. This is honest, real music and I'm glad to have the chance to listen to it."

- J.J.- Virginia (USA)
css.php
The 2021 "Free From All" Fundraiser has begun! Please help support against commercialism and HELP to KEEP JAZZ ALIVE, Thank You! Learn More
Hello. Add your message here.