Jose Reyes

Jose Reyes

Coleman Hawkins and “The Hawk Flies High” is featured

Share on facebook
Facebook

HawkFliesHighCover

On Jazz Con Class there’s plenty of Coleman Hawkins to be heard but there hasn’t been an album of his featured. “The Hawk Flies High” will be featured for a few weeks or so. I will actually place it on the Hard Bop playlist because that’s the style of Jazz used. Coleman Hawkins is considered to be the best tenor Saxophonist ever because he simply reinvented it and incorporated into Jazz, nobody before him had done this. Even Lestor Young, who many feel was the first to do this, mentioned in an a Jazz Review interview “As far as I’m concerned, I think Coleman Hawkins was the President first, right? As far as myself, I think I’m the second one.” They both had there own styles but Coleman Hawkins was the first. Every tenor saxophonist has a little Hawkins in them. This album is very interesting and very different, it doesn’t only features Coleman Hawkins as the driving force. Check the schedule link for play times.

About the album:

Although Coleman Hawkins was 51 when THE HAWK FLIES HIGH was recorded in 1957, he hadn’t lost any of the vigor or imaginative dexterity that had typified his original work in the `30s and `40s. In fact, one of Hawkins’s greatest assets was his ability to adapt to and incorporate changing styles, and that’s precisely what he does here by bringing his swing-inflected chops into a straight bop context. Surrounded by then-young firebrands J.J. Johnson and Idrees Sulieman (on trombone and trumpet, respectively), Hawkins turns in memorable performances on album highlights such as “Juicy Fruit,” “Laura,” and “Sanctity.” The disc was remastered and reissued in 2008…..Read More

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

More to Explore

Klook and Francy

Kenny “Klook” Clarke and Francois “Francy” Boland are considered the pioneers of the “modern” Jazz big band. Their sexy cool sound had

Read More »

Happy New Year 2021

I would like to wish ALL you “Jazz Aficionados/Connoisseurs” and Jazz Con Class Radio fans a Happy 2021 New Year from the

Read More »

"Since I discovered this station by chance I listen most every day. The music is eclectic and covers the wide spectrum of Jazz from New Orleans style through the Avant Garde to solid fusion. I was a jazz programmer for 12 years and I have to admit that on this station I have heard recordings by band leaders such as, Charlie Mingus, Joe Zawinul, Donald Byrd, Duke Ellington, Abbey Lincoln, Charlie Hayden, Art Blakey, Billie Holiday, Chick Corea and many other pressings that I did not know existed. The station has been an education to me. i thought I knew it all, but I'm now humbled by the quality, width and depth of the programing. This is an excellent site for beginners and old fogies like me. Thank you Jose!"

- Patrick Anderson - (England)

"Enjoy, very much, listening to your arrangements. My wife and I have two sons (14 & 11) who think Jazz is 'Dad's elevator music'. However, while we were watching 'High Society' Bing Crosby was leading the band in 'Now you has Jazz', while slowly adding each instrument. Finally, of course, the whole number was really rolling with Louis Armstrong leading the way! My youngest son, Joseph, said 'Dad, play that once more.' My wife smiled at me and I knew this wonderful, American art form was getting through to them.
Keep going, Jose. Jazz Con Class Radio is fabulous!"

- Dave- (USA)

"Jazz Con Class is a wonderful discovery. I never have to change it because each tune is selected so carefully. It lifts my spirits and at the same time teaches me about a side of music I otherwise wouldn't have exposure to. This is honest, real music and I'm glad to have the chance to listen to it."

- J.J.- Virginia (USA)
css.php
The 2021 "Free From All" Fundraiser has begun! Please help support against commercialism and HELP to KEEP JAZZ ALIVE, Thank You! Learn More
Hello. Add your message here.