Jose Reyes

Jose Reyes

Ike Quebec and his featured “Blue & Sentimental” album

Share on facebook
Facebook

BlueAndSentimentalCover

This 1961 album was a beautifully mellow and completely embraces its title. “Blue and Sentimental” should appropriately be heard in a relaxed environment or maybe when one is looking for a way to rest their mind after a long, crazy day. That’s the beauty of Jazz and I always said to those who asked me why I listen to this musical art form. I always answer with, “Jazz keeps me sane.” Ike Quebec played the saxophone in a straight forward gentle manner that does not, by any means, bother the ears. This album helps equip the Jazz Con Class listeners with even more of an advantage because of the addition of Grant Green, who is considered to many as the very best Jazz guitarist ever. There are a few upbeat songs in the album but Quebec and Grant keep it under control. After you listen to the whole album, you will confirm it to yourselves, it is truly, Blue and Sentimental! This album will be featured for a week or so, check the schedule link for play times, enjoy.

More on the Album:

Although not as well known as other big tenor men like John Coltrane, Hank Mobley, or Benny Golson, Ike Quebec was a major contributor to the classic era of jazz and this 1961 Blue Note date captures him in his prime. BLUE & SENTIMENTAL is indeed one of but a few discs that Quebec recorded for Blue Note, although he was involved with the legendary label as an A&R man and performed on many sessions by other artists. His huge, velvety tone and bluesy swagger are Quebec’s signature as he lopes and swings through several classic tunes like Count Basie’s lazy title track, the bouncing “That Old Black Magic,” and Cole Porter’s hauntingly melodic “It’s Alright With Me.” Filling out the quartet are no less than Grant Green, Paul Chambers, and Philly Joe Jones, Blue Note regulars all, who shine brightly as always……Read More

IkeQuebecImageBio

Biography of Ike Quebec:

“This incontestably superior musician has been almost totally ignored in the chronicling of the musical form to which he has contributed so much. Quebec was a tenor man of the Hawkins school with a big tone and firm, vigorous style. I hope this new perspective of the contribution Ike Quebec has made to jazz will help to bring a little lightness to his soul and much more recognition to his name.” Leonard Feather

An accomplished dancer and pianist, he switched to tenor sax as his primary instrument in his early 20s, and quickly earned a reputation as a promising player. His recording career started in 1940, with the Barons of Rhythm. He recorded or performed with Frankie Newton, Hot Lips Page, Roy Eldridge, Trummy Young, Ella Fitzgerald, Benny Carter and Coleman Hawkins. Between 1944 and 1951, he worked with Cab Calloway. He recorded for Blue Note records in this era, and also served as a talent scout for the label (helping pianists Thelonious Monk and Bud Powell come to wider attention) and, due to his exceptional sight reading skills, was an uncredited impromptu arranger for many Blue Note sessions……Read More

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

More to Explore

Klook and Francy

Kenny “Klook” Clarke and Francois “Francy” Boland are considered the pioneers of the “modern” Jazz big band. Their sexy cool sound had

Read More »

Happy New Year 2021

I would like to wish ALL you “Jazz Aficionados/Connoisseurs” and Jazz Con Class Radio fans a Happy 2021 New Year from the

Read More »

"I appreciate Jazz Con Class Radio because I love bop, hard bop, and related jazz forms. I especially appreciate Jazz Con Class because of the great range of musicians and cuts that are played. Although I like to hear Miles Davis play So What and John Coltrane play My Favorite Things, familiar cuts like these are heard too often on other jazz stations. Unlike other jazz stations, Jazz Con Class Radio frequently surprises me with great music that is not so familiar to me. I love it. And I also love the absence of commercial interruptions.

Although I am not a musician or an authority on music, I teach a Bop seminar for first-year students at the University of California at Davis. In addition to hearing the music, the students learn about the musicians and urban culture in the 40s, 50s, and 60s. I often play Jazz Con Class Radio at the start and end of class meetings. The music is a wonderful gift. The station is also a wonderful gift."

- Bruce Jaffee-California (USA)

"Hi José Reyes,
I have been listening to your radio broadcasting for some time and I can assure you without a doubt that your jazz program is the best on the entire network. I hope you could keep it for a long time without advertising and maintaining the quality that characterizes you. My girlfriend and I heard you from Basque Country in Spain with great pleasure for our ears and our senses. That's why we congratulate you and thank you!"

- Rober- (Spain)

"Jazz Con Class is a wonderful discovery. I never have to change it because each tune is selected so carefully. It lifts my spirits and at the same time teaches me about a side of music I otherwise wouldn't have exposure to. This is honest, real music and I'm glad to have the chance to listen to it."

- J.J.- Virginia (USA)
css.php
The 2021 "Free From All" Fundraiser has begun! Please help support against commercialism and HELP to KEEP JAZZ ALIVE, Thank You! Learn More
Hello. Add your message here.