Jose Reyes

Jose Reyes

“Jazz at the Plaza” Featured Album this week

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This will be the album that I will be featuring twice every day so it would be accessible in all times zones. It will be airing in the wee hours (New York Time) but late mourning in Europe. Check Schedule Link  for more times. It is an incredible album that was never planned to be. An All-Star ensemble featuring the Miles Davis Sextet (Miles, Coltrane, Cannonball, Jimmy Cobb, Paul Chambers and Bill Evans) Here’s more:

Back in 1958, Jazz at the Plaza was never meant to be a record; it was a Columbia party at the Plaza, a place jazz had never been played before. Also on the bill were Duke Ellington, Billie Holiday, and Jimmy Rushing. Despite the fine remastering job done by the Sony crew, Jazz at the Plaza remains more a curiosity piece than an essential recording by a remarkable band, strictly because of its dodgy recording quality. The 40-minute set is plagued by the problem of barely being able to hear Davis in places, particularly on the stellar opener, “If I Were a Bell,” and Evans is all but absent on much of the record. In fact, there is no mix; it’s just a flat-out two- or three-mike set. That said, the performance is far from dodgy. There are four tunes in the set: the previously mentioned old stripe from Guys and Dolls; “Oleo,” played at a blistering tempo; “My Funny Valentine,” which, although recorded by Davis’ previous quintet for Prestige, had become a staple in the sextet’s play book; and Monk’s “Straight, No Chaser.” It is perhaps the last that brings the sextet to full bloom in this performance. Davis plays the theme faster than normal, alternating the groove between full and cut time, and Bill Evans goes directly to quoting “Blue Monk” in his own solo. Also notable is the performance of “My Funny Valentine” without the saxophone giants John Coltrane or Cannonball Adderley…...Learn More

 

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"Enjoy, very much, listening to your arrangements. My wife and I have two sons (14 & 11) who think Jazz is 'Dad's elevator music'. However, while we were watching 'High Society' Bing Crosby was leading the band in 'Now you has Jazz', while slowly adding each instrument. Finally, of course, the whole number was really rolling with Louis Armstrong leading the way! My youngest son, Joseph, said 'Dad, play that once more.' My wife smiled at me and I knew this wonderful, American art form was getting through to them.
Keep going, Jose. Jazz Con Class Radio is fabulous!"

- Dave- (USA)

"I appreciate Jazz Con Class Radio because I love bop, hard bop, and related jazz forms. I especially appreciate Jazz Con Class because of the great range of musicians and cuts that are played. Although I like to hear Miles Davis play So What and John Coltrane play My Favorite Things, familiar cuts like these are heard too often on other jazz stations. Unlike other jazz stations, Jazz Con Class Radio frequently surprises me with great music that is not so familiar to me. I love it. And I also love the absence of commercial interruptions.

Although I am not a musician or an authority on music, I teach a Bop seminar for first-year students at the University of California at Davis. In addition to hearing the music, the students learn about the musicians and urban culture in the 40s, 50s, and 60s. I often play Jazz Con Class Radio at the start and end of class meetings. The music is a wonderful gift. The station is also a wonderful gift."

- Bruce Jaffee-California (USA)

"Jazz music is something incredible as the sky. It always sounds the same but you hear it differently every time as you tune in. It' s cool to hear classic jazz from old times, tunes from 40-70era always sound way better then any from 90-2000s era. No advertisements on the radio is great too, only nice, flawless jazz."

- Julianas - (Lithuania)
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