More human? What exactly do I mean by that, and why? It’s a viewpoint many Jazz lovers share, but here I will attempt to explain my specific reasoning behind the word “human” in relation to Jazz music. In order to achieve this I will start by explaining the “human” connection of the musical instruments themselves. Then I will provide actual scientific proof to help back up these associations. I will then summarize why all this matters and explain “why” Jazz

Welcome, Jazz Aficionados, to a special journey into the foundational contributions of a drumming legend! Art Taylor, affectionately known as “A.T.” and “Mr. Cool,” was a “historical” impact to Jazz. Much before being celebrated for leading his own ‘Wailers from 1957 to 1960 he was already an indispensable force on the vibrant New York jazz scene of the early to mid-1950s. This was a period of explosive creativity, and the young A.T. quickly distinguished himself. His drumming was a hallmark

Hello Jazz Con Class Radio listeners and welcome to this year’s “2026 Jazz Aficionado Fundraiser.” It’s April Fool’s Day and as many of you already know, this is when the yearly fundraiser begins. It will remain with us either until the last day of the year (when it officially ends) OR it could successfully terminate “immediately” when the goal is completely met (anytime before 12/31/2026). This year broadcasting promises to be my most productive yet, the standard we all should

Let’s all welcome back Agustin Riestra to Jazz Con Class Radio and his Idle Moments Jazz Show. Many Jazz Con Class Radio listeners have already heard his Jazz presentations before and during the Covid-19 pandemic. He was an essential part of the healing process and was truly appreciated by all! His Jazz shows helped us all cope through that crucial stay-at-home period. He sure added a special “element” to the broadcast and transformed us all to a positive state of

Let’s show our gratitude to Paul Callan from the United Kingdom, as he delivers solid structured blocks of Jazz into our living spaces via his “Jazz Foundation Show.” Can someone please give me just one reason why the Jazz Con Class Radio listeners here should not be fortunate enough to have these talented Jazz architects carefully create these sensational Jazz presentations for their listening pleasure? There’s absolutely “NO” reason because these Jazz Aficionado listeners here deserve the very best treatment!